Reflective Summary

This project has been a very very difficult one for me, but also very satisfying. My project was to produce a 4 track EP in the style of contemporary vocal pop. I started this Semester wanting to produce a piece of work that really challenged me and took my production skills in a new direction, something that I would really benefit from. I would be far more comfortable and find it easier for me to record an artist using acoustic instruments and multi tracking etc. However, I do not believe I would have felt much of a benefit, or added strings to my bow. VSTs and production within the DAW have always been an interest of mine creatively, however I have had relatively little experience primarily using VSTs to create music – my only real experience was my EMP Project in 2nd Year and I have nearly always used acoustic instruments to compose, only dabbling with VSTs for demoing. This is something I wanted to improve and also incorporate another interest that I find fascinating, songwriting. I believe that contemporary song writing is very interesting due to the nature of creating and selling music as a product for the public to consume, essentially engineering it for people to like. I started the project wanting to learn more about the composition and structure of contemporary songwriting witha  producer and also learn how to produce music to a similar standard. I have written all my tracks according to research. E.G all of my tracks fall between 100-120 BPM to coincide with my research about song tempo. (LO1)

I began by creating a playlist of contemporary pop songs and listening to them over and over to analyse certain aspects that I could incorporate into my own compositions. Quickly I understood that the song is built off the beat and keys using the vocal as the main hook. It’s not difficult concept to understand why, but how to start writing it was a difficult area to start with. Essentially I just started writing beats and this was very time consuming and difficult because I hadn’t done it before. Also, admittedly I am not the strongest rhythmically, but using plug ins like Ultrabeat helped me achieve that. My rhythmic ideas definitely improved and this project has done a lot for my writing rhythms in a DAW (LO4). Vocally the timing wasn’t as strong as it should have been, but I think this is a sacrifice of time. When you know a song to sing it is far easier to record because you can perfect it. Whereas when I was recording, I was working out what would fit as I went. Not the best technique and this was partly the downfall of some tracks.

I 100% believe that I have achieved my learning outcomes. I have improved vastly at using MIDI, VSTs and composing/producing pop music(LO2/4). You can hear the progression from the early uploads on the blog to the uploaded production. I understand why modern pop songs have several writers, because it is such a difficult style to write and produce the song with multiple layers that need to be created to effectively(LO3). I believe my mixing skills have improved immensely in a pop style due to the fact that I have not produced  pop music in this style before and I have learned a new skill (LO1). Pop music is a difficult style to nail down due to the fact that it takes years of experience and knowledge to write/produce it. The challenge that I set myself was big, but I believe on some level I have achieved it. I had to read a lot about pop producers/songwriters and how they approach writing. This was a very insightful learning experience and definitely helped with my understanding of their roles and helped me achieve (LO3). Such as Joel Little, Max Martin, Ryan Tedder etc

The drawbacks of this project for me are relatively simple to analyse. The first issue being technical. My mac supports 8GB RAM and I started running into technical issues when Logic Pro X started running all the tracks with plug ins at once. It would overload the system and freeze; only allowing me to work on several tracks at a time and micro-work. This became very time consuming – if I were to do this as a career I would use a Mac dedicated to running Logic Pro X with sufficient RAM etc to cope with production. Unfortunately my Mac does not support more than 8Gb RAM so I couldn’t upgrade. The second issue I faced was getting ideas off the ground. Sitting for hours on Logic trying beats, chord sequences or sounds to try and get an idea working. I tried several ideas that just were not in the pop style and would not have been suitable for this project. Spending hours trying to get a sliver of an idea was very gruelling at times and is exactly the reason why I chose to take on the project – pushing me creatively and also to work with VSTs within the DAW. The time consuming nature coupled with a micro working style was very difficult to deal with.

I aimed to produce a cohesive 4 track pop EP which I have achieved. I believe that I have produced music almost to a benchmark level of the playlist I originally provided and I have also attempted to include the aesthetic/stylistic natures of pop music. If I was to do this as a career I would most definitely work alongside other writers/producers in an environment where ideas can flow and push each other creatively. I have never worked 100% solo and spent a lot of time doubting myself, and I can work a lot better and harder when working off of another person. This is a strong reason why I believe that pop music is written with several writers. Several writers may differ on skills. E.G one may be a better top line writer, or lyricist than someone who makes the beats etc.

Overall this has been a very testing but enjoyable project. I have learned a lot and pushed myself very hard to produce what I consider 4 “good” pop songs that match the style that I was aiming for.

Vocal production

Before recording vocals for this project I researched what other producers had to say about vocal mic choice. My research led me to a choice of 3 mics the RE20, the Neumann U87 and AKG C414. This gave me a range of sound and also a split between dynamic and condenser microphones. After reading the Sound on Sound tips on vocal mic production I definitely agreed with what they said. However I did like the contrast between songs and would select a different mic for a different section if I was redoing it.

“Electro-Voice RE20: The RE20 produced a sound with really nice lows and plenty of body. However, it sounded a bit ‘honky’ and ‘shouty’ on the more ‘pushed’ notes of the performance.

Neumann U47: As expected, the U47 resulted in a big, ‘brown’ and forward sound. It felt nicely balanced, but was still a little shouty. At lower levels it was better‑balanced, but there was still something of a ‘honky’ resonance.”

Although the U47 is not the same mic as the U87,

“A lead vocal will ideally be delivered as expressively and freely as possible, while respecting the melody, but this isn’t usually the case for BVs.” Before recording BVs I would map out the lead vocal on the track and Melodyne it so I had a clear sense of where the melody was going. This would allow me to push backing vocals in where needed and make sure they are 100% in tune with the lead vocal.

“Because double-tracking enhances tonality while blurring the rough edges of a less-than-perfect performance, it’s often a useful technique to deploy on mediocre or unconfident singers as a flattering effect. The (big) down side is that it can also reduce the immediacy and intimacy of a vocal part, especially if it’s a good one, so tread with care. Creating a double-track is easily accomplished by getting the singer to accompany their own lead vocal, duplicating any nuances wherever possible. Often, though, the process can be even simpler: if more than one take of the lead vocal has been recorded, with a little luck and a bit of editing an unused take can function as the double. But if the vocal is up-front and exposed, or if the main part features a once-in-a-lifetime performance, additional takes to duplicate it and/or some serious editing will be required.” A lot of my vocals are single tracked with a double track on the chorus because of this. I attempted double tracking everything, however it was a bit of overkill on the tracks and did reduce the immediacy and intimacy of a vocal part. So instead I decided to work more with the reverbs and delays to achieve a bigger vocal sound that sat within the track in a more comfortable sense.

“Additionally, consider the sheer amount of tracking that’s necessary to achieve the wide stereo spread typical of modern pop vocals. Two similar vocal tracks placed in the same location in the stereo field will clearly exhibit the effects of double-tracking, but once panned hard left and hard right, you’ll lose much, if not all, of that effect: each is now a single voice coming from a single speaker. In other words, in order to create a truly wide multi-tracked vocal, each part needs to be performed at least four times — twice each for left and right. (And having done that, you may well find that three or four times is better!)” Throughout this project I have been very aware of the vocal and trying to place vocals in where its needed, after reading this article I have employed this into one of my tracks in areas where I want the vocal to pop out more. (The first verse of I Am Lorde LaLaLa (Changing My Direction))

http://www.soundonsound.com/techniques/vocal-mics

http://www.soundonsound.com/techniques/crafting-perfect-pop-backing-vocals

Song 3 – Chainsmokers

This song inspired by Chainsmokers’ latest collaboration with Coldplay – “Something Just Like This”. Featuring keys, vocals and a drop – something that I haven’t incorporated before or ever written. The vocals are yet to go down, including the real instruments, which will be bass drum and claps etc. These will be used to thicken out the sound. The image shows the level of automation I have had to use on this track. I have had to microwork on this song due to my RAM not being able to cope and crashing every few seconds of playback – so it has been a struggle!


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Technical Problems

 

 

 

 

 

Technical problems, whenever Logic Pro X stop I’ll have this message appear. I have followed the instructions and am still experiencing issues. I have researched online and this can be solved by increasing the RAM. I currently have 8Gb RAM, which I can not increase anymore – so it looks like I’m going to have to work in small sections at a time and bounce out to listen. Frustrating, but it has to be done.

 

 

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